Blackface is a form of theatrical make-up used predominantly by non-black performers to represent a caricature of a black person. The practice gained popularity during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the " dandified coon ". Blackface was a performance tradition in the American theater for roughly years beginning around
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Asian Americans in the Political Arena U. Asia Society Policy Institute. Current Affairs.
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Behind his impeccably tailored suits and grandiose parties, Gatsby masks his ambiguous ethnic origins, playing the part of an old-money Anglo-American elite to ultimately tragic results. Replete with money shots of multimillion-dollar estates, super-yacht bachelor parties, and skyscraper-rooftop pools, the film flirts with messages about privilege, immigrant striving, and the disconnect between Asians and Asian Americans—before ultimately abandoning such ideas for a fairy-tale ending that cements the movie as a celebratory work of affluence-porn. Heralded as the first major American studio film to feature a majority-Asian cast in a contemporary setting since The Joy Luck Club nearly 25 years ago, Crazy Rich Asians has been met with impossible expectations: If this film flops, audiences are toldwho knows how long Asian Americans may have to wait for another shot at the spotlight. Though it has been trumpeted as a landmark victory in the fight for Asian American visibility in Hollywood, Crazy Rich Asians enacts a remarkable disavowal of certain forms of Asian representation.